I'd love to get back into watching late night talk shows, but I have to get up too freakin' early. I have to say I saw this one coming.
NEW YORK (AP) — "Late Show with David Letterman" and "Late Late Show with Craig Ferguson" will be back with their writers airing joke-filled new hours starting Wednesday, the shows' production company, Worldwide Pants, announced Friday.
An interim agreement between the Letterman-owned company and the Writers Guild of America will allow the full writing staffs for both shows to return to work, even as the Hollywood writers strike continues to shutter much TV and movie production. Both of those CBS late-night shows have been airing reruns since the strike began eight weeks ago.
"I am grateful to the WGA for granting us this agreement," Letterman said. "This is not a solution to the strike, which unfortunately continues to disrupt the lives of thousands. But I hope it will be seen as a step in the right direction."
BRAIN TWEETS
Sunday, December 30, 2007
Monday, December 10, 2007
The Strike
There are currently, as far as I know, no scheduled talks. There are many reasons why they may be stalled, but Robert King, Board of Directors of the WGAw and the WGA Negotiating Committee, gives a nice insiders perspective over on The Artful Writer.
"So dialogue, in a smaller room, with fewer people, and less of the theatrics of negotiations, allows everyone to discover what wasn’t designed to fuck; or was designed to protect against being fucked by someone else and has only the appearance of a personal fuck; what was inelegantly put; what has unintended consequences, etc. It’s also a place where language can be designed that satisfies everyone’s fears of being fucked."
"So dialogue, in a smaller room, with fewer people, and less of the theatrics of negotiations, allows everyone to discover what wasn’t designed to fuck; or was designed to protect against being fucked by someone else and has only the appearance of a personal fuck; what was inelegantly put; what has unintended consequences, etc. It’s also a place where language can be designed that satisfies everyone’s fears of being fucked."
Wednesday, December 05, 2007
Tuesday, December 04, 2007
Just in case...
... you were wondering where the strike stands this week.
LOS ANGELES -- The following message was issued today by the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) regarding Contract 2007 negotiations:
"Thursday morning, the first new proposal was finally presented to us. It dealt only with streaming and made-for-Internet jurisdiction, and it amounts to a massive rollback.
For streaming television episodes, the companies proposed a residual structure of a single fixed payment of less than $250 for a year's reuse of an hour-long program (compared to over $20,000 payable for a network rerun). For theatrical product they are offering no residuals whatsoever for streaming.
For made-for-Internet material, they offered minimums that would allow a studio to produce up to a 15 minute episode of network-derived web content for a script fee of $1300. They continued to refuse to grant jurisdiction over original content for the Internet.
In their new proposal, they made absolutely no move on the download formula (which they propose to pay at the DVD rate), and continue to assert that they can deem any reuse "promotional," and pay no residual (even if they replay the entire film or TV episode and even if they make money)."
[unitedhollywood.com]
The following letter was written by Carlton Cuse and sent today to members of the WGA. His candor and honesty are deeply appreciated by all of us here at UH. The AMPTP is counting on us becoming more divided as time goes on. But we believe the opposite will happen -- is happening, right now. We are staying strong.
Joss Wedon responds to the offer by informing his fans why he's in it for the long haul.
"The studios mean to starve us out. They can't. We know what's at stake. We take care of our own, and those around us who aren't our own. We dig in. And eventually, if after months of deadlock we still can't make an equitable deal, you will start to see real change. Change in the way we entertain you, change in the essential structure of America's most popular export. (Unless it's corn. Is it corn?) The fact is, the studios have been robbing us for twenty years. (Actually, it's been much longer, but the statute of limitations says I should let 'em off easy.) This grotesque insult of a negotiation is the end of an era. It will be remembered as the stupidest move the conglomotainment empires ever made. WE ASKED FOR PRACTICALLY NOTHING. And they..."
LOS ANGELES -- The following message was issued today by the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) regarding Contract 2007 negotiations:
"Thursday morning, the first new proposal was finally presented to us. It dealt only with streaming and made-for-Internet jurisdiction, and it amounts to a massive rollback.
For streaming television episodes, the companies proposed a residual structure of a single fixed payment of less than $250 for a year's reuse of an hour-long program (compared to over $20,000 payable for a network rerun). For theatrical product they are offering no residuals whatsoever for streaming.
For made-for-Internet material, they offered minimums that would allow a studio to produce up to a 15 minute episode of network-derived web content for a script fee of $1300. They continued to refuse to grant jurisdiction over original content for the Internet.
In their new proposal, they made absolutely no move on the download formula (which they propose to pay at the DVD rate), and continue to assert that they can deem any reuse "promotional," and pay no residual (even if they replay the entire film or TV episode and even if they make money)."
[unitedhollywood.com]
The following letter was written by Carlton Cuse and sent today to members of the WGA. His candor and honesty are deeply appreciated by all of us here at UH. The AMPTP is counting on us becoming more divided as time goes on. But we believe the opposite will happen -- is happening, right now. We are staying strong.
Joss Wedon responds to the offer by informing his fans why he's in it for the long haul.
"The studios mean to starve us out. They can't. We know what's at stake. We take care of our own, and those around us who aren't our own. We dig in. And eventually, if after months of deadlock we still can't make an equitable deal, you will start to see real change. Change in the way we entertain you, change in the essential structure of America's most popular export. (Unless it's corn. Is it corn?) The fact is, the studios have been robbing us for twenty years. (Actually, it's been much longer, but the statute of limitations says I should let 'em off easy.) This grotesque insult of a negotiation is the end of an era. It will be remembered as the stupidest move the conglomotainment empires ever made. WE ASKED FOR PRACTICALLY NOTHING. And they..."
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